Mountain Paradox: Peace and Restlessness

At long last, I obtained my copy of Mountain, a hefty collection of images from the mountain world by Sandy Hill. I ordered it with the Barnes and Noble gift card from my parents after Christmas; it just arrived on Wednesday.

It’s an amazing coffee table book, both in size and scope. It includes work from Ansel Adams, Victorio Sella, Bradford Washburn and many others, some of which has never been published previously.

Paging through it is quite different than going through my latest issue of Climbing (which I am really getting a lot out of) or reading whatever climbing story, history or guidebook I have listed on my Recommended Reading page. It’s not like going on the Internet and searching page after page for images or Gasherbrum IV or Pangbuk Ri.

It’s a rather peaceful experience, just you and the mountain, one image at a time. In that calm, memories of thoughts, ideas and daydreams from when I was just entering high school return. They’re from when I sat in my aunt’s and uncle’s home during Thanksgiving break paging through an old coffee table book of Asia, including the Himalaya and Karakorum. I was thinking about setting out to be a mountaineer and explorer before I knew what that meant.

With Mountain, like the old Asia book before, it pulls at my restless qualities. As the ideas and thoughts of the climb surface I can’t help but just look. So here I encourage you to go buy it. It supports the American Alpine Club — and association dedicated to fostering climbing and supporting inspiring climbs. And then go climb where you dream about.

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Help Support the Most Significant Climbs

Contains mountain photography by some of the most important mountain photographers.

When it comes to books, maps and guidebooks, our genre of mountaineering and mountain life is a niche subject even among outdoors publications. But the importance to us as climbers to have a record of past climbs and their stories is just as important to us as having the current map and the latest guidebook. This is why having and supporting the American Alpine Club Library is so important.

The AAC Library contains the largest collection of mountaineering and mountain culture literature and information in the world. It archives the world’s most significant climbs through periodicals, like the American Alpine Journal, mountaineering tales, including best sellers and even out of print texts. It also holds many rare and foreign texts. Climbers about to embark on the next legendary epic, often start here.

Now the AAC Library is raising funds for its work by offering Mountain by Sandy Hill. Mountain is a book of highland photography including works by Ansel Adams, Vittorio Sella, and many others including never-before-seen photos by Bradford Washburn. The book is not yet available to the public, however the AAC Library  is currently accepting pre-orders of Mountain.

I encourage you to consider purchasing the book or contributing what you can to the Library. Climbers and armchair mountaineers will thank you by maintaining this for the climbing community we love.

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Scenery Junkies

The majority of my time enjoying the mountains is through photos in coffee table books, Backpacker and Climbing magazines, and my own pictures — and the majority of my own shots are about ten years old now.  The photos the professional mountain photographers give me a glimpse of ranges I have not been to and a sense of the risks of the climb. 

Some of my photos fail to show the true depth of the features or give a sense of the vertical perspective.  I am often left apologizing to my friends when they look at my pictures.  Most of them have never climbed a mountain, so they don’t know what it’s like, so I say, “Well, the picture just doesn’t do it justice.”  But the photos in Backpacker and Climbing often seem fanciful or doctored to the non-hiker/climber.  So it is hard to express how those photos are often a better representation of what I saw.   

Regardless that I sound like a photo-loony to my friends, I appreciate those professional photos immensely.  I like the classic ones by done in black and white by Ansel Adams and Bradford Washburn that accurately show the dimensions of the mountain side with dream-like wonder.  When I flip through Alpinist, Climbing, gear catalogs and some other publications, many of those amazing photos come from mountain photographer Jimmy Chin

Chin has been climbing for years and continues to do so.  He’s made ascents in the Himalayas and elsewhere, but it’s what he shares that makes him special to the hiking and climbing world.  He is a gifted photographer that brings the depth, colors and sense of the place to me through his photos. 

He will be at the National Geographic Society headquarters tonight and I am looking forward to hearing his stories and taking in his slide show.  I will let you know how it goes. 

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