Did you see the announcement tweeted from the Banff Mountain Film & Book Festival? Well, the festival be will held virtually due to the pandemic, as I reported in my last post; that you knew. The 20,000 guests cannot all attend due to both social distancing guidelines and international travel restrictions. The tweet added some interesting detail: Somehow they will be holding a virtual marketplace and beer hall.
The market I comprehend… but virtual beer hall?
Jon Popowich’s article in Gripped, “The Role of the Banff Centre in Mountain Literature,” didn’t shed any light for you and me about the beer hall thing. Popowich wrote his essay on the influence of the Banff Centre before the pandemic. It was actually heartbreaking, because everything he said was true, and not only has the Centre been forced to make the festival virtual, but it had to lay off three-quarters — 284 people — of its teachers and staff due to decreased revenue.
I was worried that the festival and its Mountain Book Competition would be cancelled. As Popowich showcased the Centre overall and the festival’s role in spurring new creative outlets for mountain culture. In fact, it’s not just climbing and alpinism, as it was when it began; it’s broadened to other subjects as well. As an article competition pre-reader, I even had a submission about a wilderness fly fishing trip that blended personal experience and the wonder of nature, through a scientific lens. Popowich explains, with insight from Bernadette McDonald and others, about how the “voice” in climbing books and stories have been fostered and amplified through the Banff Centre and its amazing team past and present.
Popowich also called out an upsetting trend that the Banff Centre helps counter, at least somewhat, that I have been talking about for years: Climbers today don’t read. In fact, I’ll go a step further: Climbers today don’t read and they don’t know mountain history. Popowich surveys climbers at the gym, as I do, and wherever I meet other climbers here in flat Peaklessburg.
This trend has consequences on what’s published; books of the past were autobiographies and introspective narratives; today climbing and mountain books are often “Trojan horses” carrying an environmental or social message. This isn’t exclusive, thankfully. And I am hopeful about these books that caught my attention, which are set to be released later this year:
NEW BOOK RELEASES FOR 2020
Vertical Reference: The Life of Legendary Helicopter Rescue Pilot Jim Davies by Kathy Calvert (which was released in May.)
Stories of Ice: Adventure, Commerce and Creativity on Canada’s Glaciers by Lynn Martel.
Emilio Comici: Angel of the Dolomites by David Smart (I will be reviewing this for you here on T.S.M.)
All that Glitters: A Climber’s Journey through Addiction and Depression by Margo Talbot (I’ll share my review of this one on this blog as well.)
Buried: Updated Edition by Ken Wylie.
Altitude by Olivier Bocquet (author of text), Jean-Marc Rochette (artist).
Winter 8000: Climbing the World’s Highest Mountains in the Coldest Season by Bernadette McDonald (I hope to review this one for you here.)
I still have more questions about this beer hall, and whether the organizers can pull it off, I am a little doubtful, no offense. What I do know for certain is that during the festival, and while I am doing my pre-reading, I’ll be sipping a dark brew, thinking of the Banff Centre very fondly. I hope you will too.
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